World Wide Group.
Ninety years of putting cameras in rooms that matter — from an Oscar-winning documentary in 1955 to satellite launches and seven-city live broadcasts today. We approach the same work from different angles, and that's the point.
World Wide Group started out as World Wide Pictures, one of Britain's first independent documentary film houses. A 1954 documentary the company championed — about deaf children at a school in Margate, narrated by Richard Burton — won the Academy Award for Best Documentary Short Subject the following year, and the Academy Film Archive preserved it in 2005. Nine decades later, they run production crews on every continent and keep a black book of trusted vendors most agencies would kill for.
Two ways into the same craft — together, they cover more ground than either alone. When a brief needs boots on the ground somewhere we don't have them, or a crew with ninety years of institutional memory behind every call, World Wide Group is who we call.
When a multinational software company needed to reassemble 120 executives at Heathrow for the first time in three years, World Wide Group ran the whole operation — ten riggers, fifteen producers, full stage and set design, three manned cameras and a jib — and had the edited recap in front of 11,000 employees worldwide within two days. On the broadcast side, they've coordinated live streaming across seven cities on four continents for a single technology conference, and produced ESA's EarthCARE satellite launch.
Clients like the Medical Research Council have praised the team's organization and communication as reasons they keep coming back project after project — the same reputation that's kept Mastercard, Visa, and the European Space Agency on World Wide Group's roster for years, not just one campaign.
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Leeds, UK · Global